Death
Crafting the musical accompaniment for a poignant cinematic scene of death, I employ a meticulous approach. The composition begins with a growing sense of foreboding, reminiscent of a burr's slow but relentless growth. The haunting sound of a knife manifests this impending demise, while the score subtly evolves within the context of the scene. As the piece concludes, an ironic motif in the last chord conveys that life persists even in the face of death, adding depth and complexity to the emotional narrative.
The Action
This classic piece for cello and piano beautifully embodies the timeless struggle between heart and mind. The piano, representing the mind, engages in a poignant dialogue with the cello, symbolizing the heart. Throughout the composition, the music illustrates the tension and harmony between these two essential aspects of our being. In the end, it is the heart that prevails, leaving a lasting impression on the listener. This work is a profound reminder of our emotions' enduring power and resilience.
EVALUATIONS
-
![]()
"There are really interesting sounds and choices in this project. I particularly enjoyed the ambiance texture intro."
Christian Gibson
Music producer & Composer -
![]()
"The song production is super cool and your chords are very complex and emotional. Your lyrics painting a picture of reconciliation and love."
Chloe O'Brien
Songwriter & Producer -
![]()
"Thank you for taking the leadership role in teaching your classmates equipment in class. You have a very bright future in music."
Demetrius Bee
DJ Meech -
![]()
"Your classical background makes for professional-sounding emotive compositions that enhance the visuals. You should be proud of your achievements, and I look forward to seeing your name in Film Credits."
David Harrow
Record producer & Multimedia artist -
![]()
"Fantastic job, Lily! Everything is sounding really tight, punchy, and nicely eq'ed and compressed. Very impressive work!"
Sweatson Klank
Music Producer & Visual Artist & A musical anthropologist -
![]()
"Great work on writing a large scale piece. nteresting lines, rhythms, phrasal lengths. Would love to hear this live."
Daniel Allas
Composer of Instrumental and Electronic music -
![]()
I liked the use of 6 variations, with different piano textures in each. Very effective. Love the minimalist texture at the beginning.
David Garcia Saldana
Composer, Writer & Singer -
![]()
"Your harmonic development is great. Having greater contrast with rhythm and voicing and going over the barline will bring even more life to your work. Love the storytelling your piece has!"
Louis Lopez
Performer & Composer working in Los Angeles
